The Possibility of Death by Gwen Tuinman

In this season where we contemplate death and rebirth, my friend takes us into the world of “mortality’s fragile nature”. A beautiful piece, well written.

POSSIBILITY OF DEATH

by Gwen Tuinman

The doctor reviewed my file while I waited on a plastic chair. Morning sun brightened the examination room. Illustrations of pretty pink uteruses and fallopian tubes hung from the opposing wall in a neat row. Click, click, click. The doctor toyed with his pen and adjusted his John Lennon glasses. I wondered idly if he shopped for his own shirts, or if his wife deserved the kudos.

He eventually laid the folder aside and wheeled his chair close to me so that our knees nearly touched. Only in retrospect would I recognize the foreshadowing of that moment. Not even his discerning expression raised the alarm. Bad things happen to other people.

No they don’t.

“We’ve discovered something in your ultrasound. I’m very concerned.” He leaned toward me, and in dulcet tones, described my tumour and the insidious nature of ovarian cancer.

Everything slowed down – my breath, my heartbeat.

“Is it early?” I asked.

“We don’t know yet,” he replied. “I’m very concerned.”

I remember later, resting my elbows on the reception counter while the nurse completed some paperwork. “I’m a yoga practicing vegetarian who exercises regularly.” I laughed nervously. “How didthis happen?”

“It’s pure chance,” she said. “You’ve done nothing wrong.”

If only blame could have been laid on something I’d done, like ignoring the jumble of vitamin bottles in my cupboard or skipping the gym on the wrong day. I would have preferred shouldering responsibility to knowing death could target me by random chance.

 

Five months later — after major surgery, positive mantras, walks in the woods and follow up testing — I received a clean bill of health. But during those days of not knowing what the future held, I thought a lot about dying.

Along the way, I documented thoughts on a digital recorder. “The scariest thing,” I said, “is seeing people’s emotions mirrored back at me when I tell them I’m sick.” On another day, I said, “I feel optimistic. But if this thing is kicking me in the pants, I’ll keep it to myself. I’ll be brave and push forward and do my thing.” I remember hoping my husband and children would take their cue from me. I’d remain calm and hopeful to set the tone for everyone else. The cadence and tension in the recordings belied my fear. I was preparing for battle and establishing the mindset I thought, perhaps naively, would carry me through.

Sometimes, the possibility of death comes to us quietly like the rustle of leaves. Other times, it thrusts itself upon us with a crack of thunder. Three years after its first appearance, the possibility of death sideswiped me again. Pain sliced through me for five days before I was admitted to the hospital. Had I gone without medical treatment for one more day, I might have died. “Prepare yourself,” the surgeon warned. “It’s probably cancer.”

Before being rushed into emergency surgery, I laid a hand on my husband’s arm, “Don’t worry honey, it’s going to be alright. And even if it’s not alright, it’s going to be alright.” That’s my last memory before waking up post surgery to my husband’s assurances that all was fine. By fluke, wayward scar tissue from the first surgery had knotted itself around my insides much like the jute macramé craze of the seventies. A problem easily unravelled.

I had a brief window of time in which to contemplate squaring off against mortality again. The icy bubble of morphine gliding through veins relaxed me, but I believe my calm response to the situation can be attributed to the practice run from three years earlier. I’d pulled out the playbook and executed the positivity strategy already in print.

Still, this time was different. There’d been a physical suffering not encountered in the first event and, albeit briefly, I’d glimpsed the powers of pain management. How foolish that I’d focused entirely on emotional strength and neglected to consider the prospect of a painful ending.

 

The earliest conversation I remember about death took place at the First Baptist Church in my hometown. I was six years old when the reverend’s wife told my Sunday school class about heaven after death. “In our father’s house there are many rooms,” she said. Falling asleep in my own bed and waking-up in more opulent surroundings didn’t sound so frightening at that age.

My first loss came in the form of my great grandmother’s death. I remember at eleven years old, standing forlorn in the dark paneled hallway of the funeral parlour, watching her daughter — my paternal grandmother — in pleasant conversation with another mourner. She noticed me there and we both began to weep.

“Oh Gwen, don’t cry,” she said, wrapping her arms around me. “Old Grandma had a long life and she didn’t suffer.”

I could understand the merits of not suffering.

My maternal grandmother once told me a story about her sister, Clara, who died at home from influenza. Just before her passing, she extended a fevered arm to angels hovering above her bed. The image captivates my imagination.

Research of my ancestry has led me to discover stories told by death certificates. One of my great grandmother endured one surgery and three years of illness before succumbing to cancer of the lung and breast. She too died at home. So many questions come to mind about her pain and fear. What nature of medical care did she receive? I think about the loved ones who tended to her needs. Were they equipped to usher her through the last days? Or were they in a state of constant worry and uncertainty, overwhelmed by all that death entails?

One of my friends is a community nurse with several years of experience at a major Toronto hospital. Over her career, she’s supported many people through their final days. “It’s about helping a person along that journey,” she told me, “and making them comfortable so they can get the best from their remaining time.” We’ve talked about hospital beds in living rooms; IV pumps and pain medication; caregiver relief; and the virtues of home versus hospital. I’ve learned there is a host of expertise and programs to usher people through.

I recently told my husband I thought, should the need arise one day, that I would choose palliative care in a hospital. “It would be such a trying the experience for you and the children. Maybe it would be more fair if you could visit then go home to escape it all.”

“You’re entitled to think of yourself in your last days,” he replied without missing a beat. “I would want to make them as comfortable for you as possible. You would do he same for me.”

He was absolutely right. I would, without hesitation.

 

I don’t obsess about the possibility of death. But an awareness of mortality’s fragile nature nests just below the surface of my consciousness. It instills gratitude that I’m participating in the world. These experiences remind me how to live. I tell people I love them whenever the mood strikes. I share spontaneous hugs and gushy emails. I heed intuition and stop to savour a beautiful moment when it presents itself. I laugh at myself more often than I should admit to. When I’m too afraid to step outside the box, I do it anyway. I’m doing it right now.

Death and illness are difficult subjects. I rarely discuss my own experience or reflections at length. When I brave the topic, most people’s eyes tend to glaze over and they check their watches. They mentally back away from me, as if this random medical misfortune is a living thing looking for a new host. It might latch onto their sleeve, then they’ll be hauling it around.

Discussions about dying won’t cause death. Avoiding discussions about dying won’t prevent death. The timing is almost always out of our hands. My considerations on the matter are philosophical and hypothetical. For me, knowledge is empowering and preparedness is medicinal. But no two journeys are alike and no approach is wrong. After all, we are each the authors of our own story.

About the author:

Gwen Tuinman HeadshotGwen Tuinman’s  short fiction is included in The Renaissance Anthology and is currently featured in a text and photography exhibit at The Robert McLaughlin Gallery. She is a former member of the Board of Directors for the Writers’ Community of Durham Region and writes for The Word Weaver. She is currently at work on a novel. Research and reflections relative to her works in progress can be found at http://www.gwentuinman.com./

 

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